- 1 Trumpet in E flat
- 3 Trumpets in B flat
- 3 Tenor Trombones
- 1 Bass Trombone
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Instrumentation: -
Deus in Adjutorium is the opening chorus of the Vespers of 1610 by the Italian composer Claudio Monteverdi, arranged for brass band by Andrew Baker. -
O for a muse of fire, that would ascend the brightest heaven of invention.
- William Shakespeare: Henry the Fifth, Act 1, Prologue Ascend the Brightest Heaven... was commissioned by Emley Band to mark their 150th anniversary in 2020. -
LeFay’s Mirage for E flat Tenor Horn and Piano was commissioned by Nicky Abkiewicz who is also the work’s dedicatee, to add to the competition and concert repertoire for solo tenor horn. -
Celebration Fanfare was specially written for the 50th Anniversary concert of the Port Sunlight Lyceum Band. It was a gift from the composer to his cousin, Ralph Peters, co-founder of the band in 1973. -
Postcard to Grimethorpe was composed in 1993 for a fundraising concert for the Grimethorpe Colliery band, in the wake of the announcement of the closure of the pit, and re-discovered in Grimethorpe's library in 2022. -
To Harry and Bram This short concert prelude is ideal for marking a musical birthday - if your band, or a supporter, or even one of your audience is celebrating! -
This set includes two short fanfares for six-piece brass ensemble, Flourish for an Occasion (1981) and Fanfare for PL (2014). Instrumentation:- 3 Trumpets in B flat
- 2 Tenor Trombones
- Bass trombone
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Written in memory of Philip Jones, this short work was first performed at his memorial concert held at the Royal Northern College of Music in 2000. Scored for Brass Quintet, it was performed by former members of the Philip Jones Brass Ensemble. Instrumentation:- 2 Trumpets in C
- Horn in F
- Trombone
- Tuba
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This outstanding CD contains all of Edward Gregson's significant works for Symphonic Brass, including the seminal Brass Quintet, the Symphony in two movements and Music of the Angels, performed by some of the UK's leading professional brass musicians. -
Ave Maria by Bach/Gounod is a popular setting of the well-used Latin text and was originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over a very slightly changed version of the Prelude No. 1 in C major from J.S. Bach’s The Well-Tempered Clavier, written 137 years earlier. Gounod improvised the melody, and his future father-in-law Pierre-Joseph-Guillaume Zimmermann transcribed the improvisation and in 1853 made an arrangement for violin (or cello) with piano and harmonium. In 1859 the setting was published with the familiar Latin text. This arrangement features the tenor horn and was commissioned for Sheona White and the Brighouse and Rastrick Band to perform at the 2017 Brass in Concert Championships by their conductor Dr David Thornton, at which Sheona won the prize for best tenor horn. It was subsequently adapted into versions for B flat solo instruments (euphonium, tenor trombone or baritone) and with percussion accompaniment only. -
At last…..it’s published! On the 50th anniversary of its premiere at the Royal Festival Hall, London, Edward Gregson's Concertante for Piano and Brass Band, the work that launched the composer’s career in the brass band world is now finally published. Having been withdrawn from public performance in the 1980s the work has remained unavailable until now. It’s a wonderful opportunity to explore a new genre. From its dramatic opening Prelude, to its tender and lyrical Nocturne, and the final rhythmic and joyful Rondo, this eighteen minute work is an exhilarating showcase for both pianist and brass band.This 50th anniversary release is a very welcome publication that should prove highly attractive to both performers and audiences. A master musician has revisited his youth and resurrected a gem for all to savour and enjoy! - Ronald W. Holz, The Brass Herald, August 2018
